symmetrics

 
   
 
Use the links below to open images in a new window
Darshan / 60"x 70" oil/canvas / 1995 available
enquiries to bridget.orlando@virgin.net
more
     
Fractalinia / 48"x60" /
oil/canvas /
1990
available
enquiries to bridget.orlando@virgin.net
more
     
Sphynx of the west / 48"x 36"
oil/canvas / 1998
available
enquiries to bridget.orlando@virgin.net
     
Streams / oil/canvas available
enquiries to bridget.orlando@virgin.net
     
Vortex / 40" x 40" / oil/board / 2001 available
enquiries to bridget.orlando@virgin.net
 
     
Acteon / 16"x 20" oil/canvas / 1999

available - also as
a giclee print


enquiries to bridget.orlando@virgin.net
 
     
Blackdown / 18" x 24" / oil/canvas / 1999

available - also as
a giclee print


enquiries to bridget.orlando@virgin.net
 
     
Cathorns / 20" x 24" / oil/canvas /1999
available - also as
a giclee print


enquiries to bridget.orlando@virgin.net
 
     
Sinaa / 20" x 22" / oil/canvas / 1999

available - also as
a giclee print


enquiries to bridget.orlando@virgin.net
 
     
Space monkey / 16" x 20" / oil/canvas / 1999 available - also as
a giclee print


enquiries to bridget.orlando@virgin.net
 
     
Totem / 18"x 24" / oil/canvas / 1998 available - also as
a giclee print


enquiries to bridget.orlando@virgin.net
 
     
Under a Northern Moon /18"x 22" / oil/canvas / 1999 available - also as
a giclee print


enquiries to bridget.orlando@virgin.net
 

  all reproduced images © Bridget Orlando 2005

f you have any questions about work you see here,
or would like to talk about a possible commission, do get in touch:
bridget.orlando@virgin.net
mobile: 07939 097324


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  Darshan
 
   
  Darshan was inspired by a visit to see Amma, who comes every year from India to give her blessings.

In order to see her one has to wait a long time, queuing for most of the day, in a large hall with many other people, surrounded by images of Hindu deities, most notably for me were those of Kali, musicians play for most of the day, people sing and chant. There is a point where the music fills your head so much that it almost becomes unbearable. The central figure is inspired by all those images I saw, rather than being a rendition of them.

What I am trying to recreate is what I felt more than anything else, these figures are more like a personal set of mythologies, they are not symbols from any mainsteam religion. What I hope to create is a sense of magnitude, but also otherworldliness. The horses in the middle appear to be emerging out of nothing, or from each other. There is part of a reflection below, which suggests there may be more, but that we can't see.

Behind the wings of the central figure is a different space from the rest of the painting that appears to be opening up behind her. Below the feet of the horses is a loop, which is suggestive of the symbol for infinity.

Different realities are suggested by reflection, repetition and layers. Behind the hoses there is a sense of space, yet behind the wings of the central figure, the space is quite dense and flat, another place altogether.
   
 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 
  Fractalinia
 
   
 

This was one of the first paintings I did using both hands to draw the images. I divided the canvas into sections using each line to draw the images down to a central point of focus, the painting has quite a formal structure.

At the time I was working on this piece I was reading a book called Chaos, by James Gleick, I fell in love with the idea and the image of fractals.

I was not alone in my love of fractals, they were everywhere, on cards, posters and designs, club flyers, people were even programming their computers to generate random fractal patterns, which left to their own devices seemed to be in a constant state of mutation, forever changing shapes and colours.

What I liked in particular was the way a certain hue would dominate the screen, then as the mutation took place, another colour would start breaking through, first in little bits, and then gradually covering the whole screen with a new colour.

In this painting there is also some kind of mutation taking place, although more of an organic nature, rather than the mathematical mutations of a fractal.